Sonya Clark

résumé | DOWNLOAD PDF

Education | View

    • Cranbrook Academy of Art, MFA, Bloomfield Hills, Michigan
    • School of the Art Institute of Chicago, BFA, Chicago, Illinois
    • Amherst College, BA, Amherst, Massachusetts

Grants, Awards, and Residencies | View

    2012 |

    • Civitella Ranieri Foundation Fellowship, Umbertide, Italy

    2011 |

    • United States Artists Fellow
    • Smithsonian Artist Research Fellowship
    • Cranbrook Academy of Art Distinguished Mid-Career Alumni Award
    • Virginia Museum of Fine Arts Professional Fellowship
    • McColl Center Artist in Residence, Charlotte, North Carolina

    2010 |

    • Smithsonian Artist Research Fellowship

    2009 |

    • Virginia Commission for the Arts (VCA) Fellowship
    • Outstanding Woman in the Arts for the State of Virginia VCA
    • Terry Family Foundation Edenfred Residency, Madison, Wisconsin
    • Donald Jay Gordon Visiting Artist, Swarthmore College

    2008 |

    • Top Ten Exhibits 2008 (City Paper) in Baltimore, Maryland

    2006 |

    • Rockefeller Foundation, Bellagio Residency, Bellagio, Italy
    • Pollock Krasner Grant

    2005 |

    • Ruth Chenven Foundation Award
    • Red Gate Artist in Residence, Beijing, China

    2004 |

    • Romnes Award, University of Wisconsin-Madison
    • Emily Mead Baldwin-Bascom Professorship in Creative Arts
    • Joan C. Edwards Distinguished Professor in the Arts Residency, Marshall University, West Virginia

    2002 |

    • University of Wisconsin-Madison Research Grant
    • Meta Schroeder Beckner Endowment Grant Funding for the Beaded Prayers Project

    2001 |

    • University of Wisconsin-Madison Research Grant
    • CityArts Grant (Baltimore, Maryland)

    2000 |

    • University of Wisconsin-Madison Research Grant
    • Lillian Elliott Award
    • Meta Schroeder Beckner Endowment Grant
    • Wisconsin Arts Board Artist Fellowship Award

    1999 |

    • Arts Institute Edna Wiechers Grant

    1997 |

    • University of Wisconsin-Madison Research Grant

    1996 |

    • Hunter Museum of Art Juror’s Choice Award, Juror: Sam Gilliam

    1994 |

    • Nita “Billie” Barak Memorial Merit Scholarship (Cranbrook Academy of Art)
    • Smithsonian Institution Graduate Fellowship (National Museum of African Art)

    1993 |

    • Philip Morris Fellowship for graduate education at Cranbrook Academy of Art

    1992 |

    • Jack Lenor Larsen Scholarship (Haystack Mountain School of Crafts)
    • Undergraduate Merit Scholarship (Art Institute of Chicago)

    1988 |

    • Excellence in Scholarship Prize in Psychology (Amherst College)

Selected One and Two Person Exhibits | View

    2009 |

    • Combs: Pieces and Parts, List Gallery, Swarthmore College, Pennsylvania

    2008 |

    • Loose Strands, Tight Knots, Walters Museum of Art, Baltimore, Maryland
    • Groom Room, Delaware Contemporary Art Center, Wilmington, Delaware
    • Transformers: Sonya Clark and David Ellis,Corridor Gallery, Brooklyn, New York

    2006 |

    • Sonya Clark: Tangles, Teeth, and Touch(catalog)Cannon Gallery. North Carolina State University, Raleigh, North Carolina
    • Tangles and Teeth, Kohler Arts Center, Sheboygan, Wisconsin

    2005 |

    • Genes and Gestures(catalog)Art at Marygrove, Detroit, Michigan

    2004 |

    • PlexusBirke Art Gallery, Marshall University, Charleston, West Virginia

    2003 |

    • Reach, Maxwell Gallery, Canberra, Australia
    • Sonya Clark, Sherry Leedy Contemporary Arts, Kansas City, Missouri
    • Growth, Morlan Gallery, Transylvania University, Lexington, Kentucky

    2002 |

    • Sonya Clark, Galerie Goettlicher, Krems-Stein, Austria
    • Sonya Clark and Syd Carpenter, Stella Jones Gallery. New Orleans, Louisiana.

    2001 |

    • African Inspirations: Sculpted Headwear(catalog)University of Iowa Museum of Art, Iowa City, Iowa (traveled through 2002)Indianapolis Art Museum, Indianapolis, Indiana
    • Sensory Perceptions, Galerie Francoise, e.s.f., Brooklandville, Maryland
    • Couples, Duples and Dopplegangers, Anderson Gallery, Birmingham, Michigan

    2000 |

    • Head Ways,YMI Cultural Center, Asheville, North Carolina
    • Wall Talk, Anderson Gallery, Birmingham, Michigan
    • Cultural Memories, Second Street Gallery, Charlottesville, Virginia
    • Common Ties: Dots & Dashes, Beads & Beauty: Bolaji Campbell and Sonya Clark(catalog)Wisconsin Union Gallery, Madison, Wisconsin

    1999 |

    • PrepositionsGalerie Francoise, e.s.f., Brooklandville, Maryland
    • Wall TalkAnderson Gallery, Birmingham, Michigan
    • Heads and TalesWisconsin Academy Gallery, Madison, Wisconsin

    1998 |

    • WigsAnderson Gallery Pontiac, Michigan
    • Parted, Plaited and PiledLeedy Voulkos Gallery, Kansas City, Missouri
    • DiademsMuseum of Decorative Art, Montreal, Canada

    1997 |

    • New WorkKansas City Artists Coalition, Missouri
    • Sonya Clark and Vernal Bogren SwiftJayne Gallery. Kansas City, Missouri

    1996 |

    • Sonya ClarkAnderson Gallery, Pontiac, Michigan

    1995 |

    • The Culture WithinN. C. A. Gallery, Fisher Building, Detroit, Michigan
    • Sonya Clark and Carole HarrisAnderson Gallery, Pontiac, Michigan

Selected Group Exhibits | View

    2011 |

    • Material GirlReginald Lewis Museum, Baltimore, Maryland

    2010 |

    • Global AfricaMuseum of Arts and Design, New York, New York
    • New Material World: Rethreading TechnologySheldon Art Museum, Lincoln, Nebraska
    • True SelfMadison Museum of Contemporary Art, Madison, Wisconsin
    • SOFA NY(Snyderman-Works Gallery)Armory, New York, New York
    • Hand+MindContemporary Art Museum of Houston, Houston, Texas
    • The New Materiality: Digital Dialogues at The Boundaries of Contemporary CraftFuller Museum of Craft, Brockton, Massachusetts
    • Social SkinAnderson Gallery, Richmond, Virginia
    • Repurpose, Reuse, RecycleCity of Brea Art Gallery, Brea, California
    • Reflecting and Recollecting1708 Satellite exhibit at Linden Row, Richmond, Virginia
    • Wearable Art/Unwearable FashionVis Arts Center, Rockville, Maryland
    • 7th International Fiber BiennialSnyderman – Works Gallery, Philadelphia, Pennsylvania
    • Wearing SpiritCaribbean Cultural Center African Diaspora Institute, New York, New York
    • The Medium is the MessagePeninsula School of Art, Fish Creek, Wisconsin
    • Fiber Clay Glass StoneNCA Gallery, Detroit, Michigan

    2009 |

    • Generously Odd: Craft NowLexington Art League, Lexington, Kentucky
    • BlackDCAC, Washington, DC
    • Rockstone and Bootheel: Contemporary West Indian ArtReal Art Ways, Hartford, Connecticut
    • Dress Codes: Clothing as Metaphor in Contemporary ArtKatonah Museum of Art, Katonah, New York
    • Complex Weave (travels through 2015)Stedman Gallery, Rutgers University, Camden, New JerseyCenter for the Arts Gallery, Towson University, Towson, Maryland

      Lore Degenstein Gallery, Susquehanna University, Selinsgrove, Pennsylvania

    • Decadence and Decay: The Mansion ProjectKrueger-Scott Mansion, Newark, New Jersey
    • IllinoisMcLean County Arts Center, Bloomington, Illinois
    • Cheongju International Craft BiennaleCheongju Arts Center, Cheongju, Korea
    • Taking Time(travels through 2011)Birmingham Museum of Art, EnglandDovecot Studios, Edinburgh, Scotland

      Harley Gallery, Worksop, England

      Millennium Court Arts Centre, Portadown, Ireland

      University of Hertfordshire Galleries, Hatfield, England

      Plymouth City Museum and Art Gallery, Plymouth, England

      Platform Gallery, Clitheroe, England

    • Anglophone CaribbeanReal Art Ways, Hartford, Connecticut
    • Devalue of MoneyVisual Arts Center, Rockville, Maryland
    • Uber PortraitBellevue Arts Museum, Bellevue, Washington
    • UpcyclingArchitecture and Design Museum, Los Angeles, California
    • Hair on FireHalsey Institute of Contemporary Art, College of Charleston, South Carolina
    • Tasting MemoryAvery Research Center, College of Charleston, South Carolina

    2008 |

    • Political CircusRitter Gallery, Florida Atlantic University Boca Raton, Florida
    • Go GreenDow Studios, Deer Isle, Maine
    • SOFA Chicago(Snyderman-Works Gallery)Navy Pier, Chicago, Illinois
    • ManufracturedMuseum of Contemporary Craft, Portland, Oregon
    • Second LivesMuseum of Art and Design, New York, New York
    • DuetsDow Studio, Deer Isle, Maine
    • Embrace: AtlantaMason Muer Gallery, Atlanta, Georgia
    • Political CraftSociety for American Craft, Boston, Massachusetts
    • Altered Geometry: Contemporary Sculpture from the CollectionMadison Museum of Contemporary Art, Madison, Wisconsin
    • Conceptual EdgeNCA Gallery, Detroit, Michigan
    • Mami Wata: Arts for Water Spirits (Travels through 2011)UCLA Fowler Museum, Los Angeles, CaliforniaChazen Museum, Madison, Wisconsin

      National Museum of African Art, Washington, DC

      Cantor Center for Visual Arts, Stanford University, Palo Alto, California

    • 6th International Fiber BiennialSnyderman-Works Gallery, Philadelphia, Pennsylvania
    • the matter at handMemphis College of Art, Tennessee
    • National Black Fine Art ShowNCA Gallery, Puck Building, New York, New York
    • From Taboo to IconIce Box Project Space, Philadelphia, Pennsylvania

    2007 |

    • Pricked: Extreme EmbroideryMuseum of Arts and Design, New York, New York
    • Material CultureLongwood Gallery @ Hostos. Bronx, New York
    • Conceptual EdgeNCA Gallery, Detroit, Michigan
    • and I am blue…McLean County Arts Center, Bloomington, Illinois
    • Well DressedNathan Cummings Foundation, New York, New York
    • Orion’s BeltSheridan Fine Art Gallery, University of Nevada-Reno
    • Hot HouseCranbrook Museum of Art, Bloomfield Hills, MichiganReading Museum of Art, Reading, Pennsylvania
    • National Black Fine Art ShowNCA Gallery, Puck Building, New York, New York

    2006 |

    • Twisted Roots(WPA/Corcoran Exchange Project)DCAC, Washington, DC
    • HairLisa Sette Gallery, Scottsdale, Arizona
    • SOFA NYC(Snyderman-Works Gallery)Armory, New York, New York
    • Artificial AfrikaGigantic Art Space, New York, New York
    • 5th International Fiber BiennialSnyderman-Works Gallery, Philadelphia, Pennsylvania
    • The Conceptual EdgeN. C. A. Gallery. Detroit, Michigan

    2005 |

    • Small WorksN. C. A. Gallery, Detroit, Michigan
    • Material InquiryMacalaster College, St. Paul Minnesota
    • Yoruba Beadwork and African American ArtBead Museum, Glendale, Arizona
    • Community: Fiber and ClayOverture Gallery, Madison, WisconsinRiver Arts Center, Sauk City, Wisconsin

      Colucci Gallery, Madison, Wisconsin

    2004 |

    • A Decade of ArtWisconsin Academy Gallery, Madison, Wisconsin
    • Convergence/DivergenceGoldstein Museum of Design, St. Paul, Minnesota
    • Draw DrawingGallery 32, London, England

    2003 |

    • Black RussianGalerie Francoise, e.s.f., Brooklandville, Maryland
    • TriennialChazen Museum of Art, Madison, Wisconsin
    • Destinies:Yoruba Art in America-Sonya Clark, Michael Harris, Moyo Ogundipe and Moyo OkedijiMyhren Gallery, University of Denver, Denver, Colorado
    • Threading the EyeSherry Leedy Contemporary, Kansas City, Missouri
    • Women on the EdgeR. Duane Reed Gallery, St. Louis, Missouri
    • Contemporary Art of the University of Wisconsin-MadisonCasa Thomas Jefferson, Brasilia, BrazilMuseu de Arte de Brasilia, Brazil
    • The Nature of ThingsN. C. A. Gallery, Detroit, Michigan
    • Pins and NeedlesKohler Arts Center, Sheboygan, Wisconsin
    • Charmed LivesFacere Art Gallery, Seattle, Washington
    • Breaking GroundGallery at The Park School, Baltimore, Maryland
    • Hair Stories(catalog)Scottsdale Museum of Art, Arizona (traveled through 2005)Chicago Cultural Center, Illinois

      Clark Atlanta University Art Gallery, Georgia

      Museum of the African Diaspora, San Francisco, California

      Contemporary Arts Center, New Orleans, Louisiana

      Forty Acres Art Gallery, Sacramento, California

    • 30 Years at Second Street GallerySecond Street Gallery. Charlottesville, Virginia

    2002 |

    • 7th International Mini-Textiles Triennial(catalog)Jean Lurcat Tapestry Museum, Angers, France. (traveled through 2005)St. Gall Textile Museum, Switzerland
    • The Relevance of MakingPenland Gallery, Penland, North Carolina
    • Made from ScratchChicago Athenaeum, Chicago, Illinois
    • The Audacious BeadBead Museum, Washington, D.C.
    • The Freed BeadTarget Gallery at the Torpedo Factory, Alexandria, Virginia
    • The Belles of AmherstMead Art Museum. Amherst, Massachusetts
    • African InspirationsVictor Valley Museum. Apple Valley California

    2001 |

    • Amherst College Alumni ExhibitMead Art Museum. Amherst, Massachusetts
    • Objects of AffectionN.C.A. Gallery, Fisher Building, Detroit, Michigan

    2000 |

    • Out on a LimbOhio Craft Museum, Columbus, Ohio
    • Crosscurrents 2000(catalog)The Art Gallery, University of Maryland, College Park, Maryland
    • Women’s World: A Work in ProgressBrookfield Craft Center, Brookfield, Connecticut
    • Bead International 2000 Jurors: David Chatt, Ken Trapp, NanC MeinhardtDairy Barn Southeastern Ohio Cultural Arts Center. Athens, Ohio (traveled through 2002)Mitchell Museum, Mount Vernon, Illinois

      Pratt Museum, Homer, Alaska

      University of Alaska Museum, Fairbanks, Alaska

      York County Museum, Rock Hill, South Carolina

      Holland Arts Council, Holland, Michigan

      Museum in the Community, Hurricane, West Virginia

    • Women’s Work: Sonya Clark, Jaune Quick-To-See Smith, and Gabrielle EllertsonGallery 101, University of Wisconsin, River Falls, Wisconsin
    • 7th International Shoebox Sculpture ExhibitionUniversity of Hawaii Art Gallery, Honolulu, Hawaii (traveled through 2002)Kukui Grove Center Exhibition Hall, Lilue, Hawaii

      Harrison Museum of Art, Logan, Utah

      American Cultural Center, Taipei, Taiwan

      National Cheng Kung University, Tainan, Taiwan

      Providence University, Taichung, Taiwan

      University of Arkansas-Little Rock

      Wright State University, Dayton, Ohio

      Murray State University, Murray, Kentucky

      Art Center at Hargate, St. Paul’s School, Concord, New Hampshire

      East Hawaii Cultural Center, Hilo, Hawaii

      Maui Arts and Cultural Center, Kahului, Hawaii

    • Mosaic: Culture and Identity in AmericaHampton University Museum, Hampton, Virginia

    1999 |

    • Needle and ThreadWendy Cooper Gallery, Madison, Wisconsin
    • The Practiced Hand: Constructions and Sculptural FiberSouth Bend Regional Art Museum, South Bend, Indiana
    • BEADZ! The Beaded Universe: Strands of CultureAmerican Craft Museum, New York, New York
    • Wisconsin Triennial (catalog)Madison Art Center, Madison, Wisconsin
    • Cultural Influences in CraftPenland Gallery, Penland, North Carolina
    • Color TheoryCollege of Visual Art, St. Paul, Minnesota
    • State of the ArtGallery of Design, University of Wisconsin-Madison
    • Ancestral Images: Contemporary InterpretationsGeorge Spiva Center for the Arts, Joplin, Missouri
    • NON-Function: Objects for ContemplationPenland Gallery, Penland, North Carolina

    1998 |

    • Wrapped in Pride: Ghanaian Kente and African American Identity(catalog)Newark Museum of Art, Newark, New Jersey (traveled through 2002)The Oakland Museum, Oakland, California

      Field Museum of Natural History, Chicago, Illinois

      St. Louis Art Museum, St. Louis, Missouri

      Anchorage Museum of History and Art, Anchorage, Alaska

      Carlos Museum, Emory University, Atlanta, Georgia

      Detroit Museum of African American History, Detroit, Michigan

      Smithsonian Institution: National Museum of African Art, Washington, D.C.

      UCLA Fowler Museum, Los Angeles, CA

    • Le Corps HabiteGalerie Noel Guyomarc’h, Bijoux d’Art. Montreal, Canada
    • Clarity of SeductionNetwork Gallery. Pontiac, Michigan.
    • Transformed: Textiles as Creative MediumNatal Society of the Arts, Durban, South Africa
    • Exposed Treasures: Sonya Clark, Liz Cherry Jones, Joyce ScottTuttle Gallery, McDonogh, Maryland

    1997 |

    • Pure Vision: American Bead Artists(catalog)Union Art Gallery, Louisiana State University, Baton Rouge, Louisiana (traveled through 2000)Fuller Museum of Art, Brockton, Massachusetts

      University of Miami, Lowe Museum, Coral Gables, Florida

      Lamont Gallery, Exeter, New Hampshire

      Philbrook Museum, Tulsa, Oklahoma

      Leedy Voulkos Art Center, Kansas City, Missouri

      Islip Art Museum, East Islip, New York

      Museum of Art and History, Santa Cruz, California

      Decorative Arts Museum:Arkansas Art Center, Little Rock, Arkansas

      Boise Art Museum, Boise, Idaho

      Pensacola Museum of Art, Pensacola, Florida

    • New Eyes for Ancient Gods: Yoruba Orisa in Contemporary ArtAfro American & African Studies Gallery, University of Michigan, Ann Arbor (traveled through 1998)African American Cultural and Historical Museum, Washtenaw, Michigan
    • Rituals and Celebrations of the African DiasporaSouth Shore Cultural Center, Chicago, Illinois
    • SOFA: Sculpture, Objects, Functional ArtNavy Pier, Chicago, Illinois. Representation: Anderson Gallery.
    • Crosscurrents: Journeys Within the African Diaspora(catalog)Indianapolis Art Center. Indianapolis, Indiana
    • Surface to SurfaceArt and Design Gallery, School of Fine Arts, University of Kansas, Lawrence, Kansas
    • What’s in the Air(catalog)Kansas City Artists Coalition, Missouri
    • Peripheral Visions: Contemporary African American ArtistsValencia College Art Gallery. Orlando, Florida
    • 12th Annual Greater Midwest International ExhibitionArt Center Gallery, Central Missouri State. Warrensburg, Missouri

    1996 |

    • The Rebellious BeadBellevue Art Museum, Bellevue, Washington (traveled through 1999)Museum of the Southwest, Midland, Texas
    • NIFTA (New Initiatives for the Arts) Ten Year Anniversary ExhibitionBesser Museum, Alpena, Michigan (traveled through 1997)Northern Michigan University Art Museum, Marquette, Michigan

      Saginaw Art Museum, Saginaw, Michigan

      Museum of African American History, Detroit, Michigan

    • Materials: Hard and Soft (catalog)Meadows Gallery, Greater Denton Arts Council, Denton, Texas
    • Growing Into the 21st Century: New Acquisitions from 1990-1996Hampton University Art Museum, Hampton, Virginia
    • ARTstravaganzaHunter Museum of American Art, Chattanooga, Tennessee
    • Art ReflectsCranbrook Art Museum, Bloomfield Hills, Michigan
    • Word/ImageN.C.A. Gallery, Detroit, Michigan

    1995 |

    • The Ties That Bind(catalog)University of Michigan, Ann Arbor, Michigan (traveled through 1996)Museum of African American History, Detroit, Michigan

      Jesse Besser Museum, Alpena, Michigan

      Northwood University, Midland, Michigan

    • New Work from Cranbrook Academy of ArtJohn Wilson Center Gallery, Washington, D.C.
    • Celebration of StyleSande Webster Gallery, Philadelphia, Pennsylvania
    • New DirectionsHoffman Gallery, Portland, Oregon
    • In/JusticeDetroit Artists Market, Detroit, Michigan
    • Intersections Interstices (catalog)Burlingham Building Pontiac, Michigan

    1994 |

    • Expressions of Faith and a Marginalized ExistenceDadian Gallery, Washington, D.C.
    • RhythmsN.C.A. Gallery, Detroit, Michigan
    • Chautauqua InternationalAdams Art Gallery, Dunkirk, New York
    • Necessity and Memory(catalog)Detroit Artists Market, Detroit, Michigan
    • Hard vs. Soft(catalog)Forum Gallery, Cranbrook Art Museum. Bloomfield Hills, Michigan
    • New HabitsTextile Arts Centre, Chicago, Illinois
    • Antibodies at the End of the MillenniumForum Gallery, Bloomfield Hills, Michigan

    1993 |

    • Chautauqua InternationalAdams Art Gallery, Dunkirk, New York

 

beaded prayers project | www.beadedprayersproject.com

    • a collaborative project designed and directed by Sonya Clark created by over 4500 participants from more than 30 countries

Exhibits

    2009 |

    • Anderson Gallery, VCU Arts,

    2008 |

    • University of Nebraska – Lincoln
    • Newark Museum of Art, Newark, New Jersey
    • Icebox, Philadelphia, Pennsylvania

    2007 |

    • Haystack Community Center, Deer Isle, Maine
    • Purdue University Galleries, West Lafayette, Indiana
    • Manchester Craftsmen’s Guild, Pittsburgh, Pennsylvania
    • Queens Borough Public Library, Jamaica, New York

    2006 |

    • Museum of the African Diaspora, San Francisco, California
    • King Arts Complex, Columbus, Ohio

    2005 |

    • Museum of the National Center of Afro-American Artists, Boston, Massachusetts
    • NCA Gallery, Detroit, Michigan
    • Association of the Worldwide Study of the African Diaspora Conference, Rio de Janeiro, Brazil
    • Florida A &M University, Tallahassee, Florida

    2004 |

    • Silver Cultural Arts Center, Plymouth, New Hampshire
    • River Arts Center, Sauk City, Wisconsin
    • Montreal Arts Interculturels, Montreal, Canada

    2003 |

    • Baltimore Museum of Art, Baltimore, Maryland
    • Art Gallery, Berea College, Berea, Kentucky
    • McLean Arts Center, Bloomington, Illinois

    2002 |

    • St. Thomas University, St. Paul, Minnesota,
    • American Library Association Conference, Atlanta, Georgia
    • McDonogh School, Owings Mills, Maryland
    • College of Art at Kwame Nkrumah University, Kumasi, Ghana

    2001 |

    • Creative Alliance, Baltimore, Maryland
    • Madison Municipal Building Gallery, Madison, Wisconsin
    • Seippel Center for the Arts, Beaver Dam, Wisconsin

    2000 |

    • Gallery of Design, University of Wisconsin-Madison
    • Canberra School of Art, Australian National University

Selected Beaded Prayers Project Lectures and Workshops

    • over 75 lectures and workshops held

    2005 |

    • Wellesley College, Wellesley, Massachusetts

    2004 |

    • Baltimore Museum of Art. Baltimore, Maryland

    2003 |

    • Transylvania University, Lexington, Kentucky
    • Milwaukee Area Technical College. Milwaukee, Wisconsin
    • Baltimore Museum of Art. Baltimore, Maryland

    2002 |

    • Baltimore Museum of Art. Baltimore, Maryland
    • Waverly Center for Teen Parents, Baltimore, Maryland
    • Columbia College, Art Department. Chicago, Illinois
    • Boys and Girls Club, Madison, Wisconsin
    • St. Paul’s Schools, Brooklandville, Maryland
    • College Art Association, Philadelphia, Pennsylvania

    2001 |

    • St. Paul’s Schools, Brooklandville, Maryland
    • International Creators: 13th Annual Series. Harbourfront Center, Toronto, Canada
    • Textile Program, Sheridan College, Oakville, Canada
    • Detroit Institute of Art, Detroit, Michigan
    • Packer Collegiate, Brooklyn, New York
    • City of Madison Minority Affairs Committee, Madison, Wisconsin
    • Vera Court Girl Neighborhood Power, Madison, Wisconsin
    • African American Ethnic Academy, Madison, Wisconsin
    • Wilson School, Mequon, Wisconsin
    • artWORKS Afterschool Program, Packer Community Center, Madison, Wisconsin
    • Upward Bound, Beloit College, Beloit, Wisconsin
    • Fiber Program, Maryland Institute College of Art, Baltimore, Maryland
    • Seippel Center for the Arts, Beaver Dam, Wisconsin
    • Coolidge Elementary School, Detroit, Michigan
    • Jefferson School, Beaver Dam, Wisconsin
    • Penland School of Craft, Penland, North Carolina
    • Textile Friends at Roslyn Chapel, Pencuik, Scotland
    • Mahindra United World College, Pune, India

    2000 |

    • YMI Cultural Center. Asheville, North Carolina. 2000
    • Park School, Baltimore, Maryland
    • University of Wisconsin – Milwaukee, Art Department
    • Sauk City Middle School, Sauk City, Wisconsin
    • Memorial High School, Madison, Wisconsin
    • Greater Madison Urban League, Teen Parenting Program, Madison, Wisconsin
    • Charlottesville High School, Charlottesville, Virginia
    • River Falls Public Library, River Falls, Wisconsin
    • Milwaukee County Historical Society, Wisconsin
    • Chazen Museum of Art, Madison, Wisconsin

    1999 |

    • Columbus Art Museum, Ohio
    • Prevent Child Abuse Association, Madison, Wisconsin
    • Greater Chicago Bead Society, Chicago, Illinois

presentations and lectures

    • Museums:

    2009 |

    • Museum of Arts and Design, New York, New York

    2008 |

    • Museum of Arts and Design, New York, New York

    2006 |

    • American Folk Art Museum, New York, New York
    • National Museum of Women in the Arts, Washington, DC

    2002 |

    • Indianapolis Museum of Art, Indianapolis, Indiana
    • Minneapolis Institute of Art, Minneapolis, Minnesota
    • Nelson Atkins Museum, Kansas City, Missouri

    2001 |

    • Detroit Institute of Art, Detroit, Michigan
    • University of Iowa Museum of Art, Iowa City, Iowa

    1999 |

    • Detroit Institute of Art, Detroit, Michigan
    • National Museum of African Art, Washington, D.C.

    1998 |

    • Montreal Museum of Decorative Arts, Montreal, Canada

    1997 |

    • Chazen Museum of Art, University of Wisconsin, Madison, Wisconsin
    • National Museum of African Art, Washington, D.C.
    • Nelson Atkins Museum, Kansas City, Missouri

    1996 |

    • Detroit Institute of Art, Detroit, Michigan
    • Hampton Museum, Hampton, Virginia
    • Smithsonian Institution’s National Museum of African Art, Washington, D.C.
    • The Textile Museum, Washington, D.C.

    1994 |

    • National Museum of African Art, Washington, D.C.

    • Schools:

    2007 |

    • Oregon College of Art and Craft, Portland, Oregon

    2006 |

    • North Carolina State University, Raleigh, North Carolina

    2003 |

    • Denver University, Denver, Colorado
    • Haystack Mountain School of Crafts, Deer Isle, Michigan
    • Transylvania University, Lexington, Kentucky

    2002 |

    • Maryland Institute, College of Art, Baltimore, Maryland

    1999 |

    • College of Visual Arts, University of Massachusetts Dartmouth
    • Maryland Institute, College of Art, Baltimore, Maryland

    1998 |

    • Cranbrook Academy of Art, Bloomfield Hills, Michigan
    • Penland School of Crafts, Penland, North Carolina

    1997 |

    • Haystack Mountain School of Crafts, Deer Isle, Michigan
    • School of the Art Institute of Chicago, Illinois
    • Surface Design Association Conference, Lawrence, Kansas

    1996 |

    • Kansas City Art Institute, Kansas City, Missouri
    • University of Kansas -Lawrence, Lawrence, Kansas

    1994 |

    • Philadelphia University, Philadelphia, Pennsylvania

    • Conferences:

    2004 |

    • Craft and Design: Hand, Mind and Creative Process, Haystack, Deer Isle, Maine

    2003 |

    • Porter Colloquium on African American Art, Howard University, Washington, DC

    2002 |

    • College Art Association, Philadelphia, Pennsylvania

    1999 |

    • N. C. A. National Conference, Detroit, Michigan

    1998 |

    • Bead Society of Chicago, Chicago, Illinois
    • Mid-Year Art Conference, Detroit Public Schools, Detroit, Michigan

    1997 |

    • N. C. A. National Conference, Detroit, Michigan

    1994 |

    • N. C. A. National Conference, Detroit, Michigan
    • Fiber Now: Student Conference, Cranbrook Academy of Art, Bloomfield Hills, Michigan

Published articles | View

    • “Hand-me-downs: our stories held in objects, materials and processes” Haystack Monograph #17, 2004, pp. 4-8
    • “In Review: Nick Sargent”, Sonya Clark, Surface Design Journal, Vol. 28, No. 1, Fall 2003, pp. 54-55
    • “Beneath Pattern: Investigating Symmetry”, Sonya Clark, Surface Design Journal, Summer 2000
    • “Sonya Clark in Her Own Words”, Doran Ross ed., Wrapped in Pride: Ghanaian Kente and African American Identity, UCLA Fowler Museum,1998. pp. 184-185
    • “Portfolio: Sonya Clark”, American Craft, Vol. 57, No. 5, October/November 1997, p. 100
    • “Sculptural Headdresses” Sonya Clark, Ornament, Vol. 20, No. 3, Spring 1997, pp. 32-37.

Selected Reviews and Cited Works | View

Books

    • Sims, Lower and Leslie King Hammond. Global Africa Project,  Prestel, 2010, pp. 184-185, 215 and back cover
    • Jegede, Dele. Encyclopedia of African American Artists: Artists of the American Mosaic, Greenwood Press, Westport, Connecticut: 2009
    • Holt Skov,Steven and Mara Holt Skov. Manufractured: The Conspicuous Transformation of Everyday Objects, Chronicle Books, pp 9-19, 2008
    • Douglas, Diane and Vicki Halper. Choosing Craft: A History in Artists’ Words, University of North Carolina Press (Chapel Hill), 2008.
    • Drewal, Henry. Mami Wata: Arts for Water Spirits in Africa and its Diasporas, University of California Press, 2008, pp 191-193.
    • McFadden, David. Second Lives: Remixing the Ordinary, Museum of Arts and Design Press, 2008, pp. 76-79
    • Wells, Carol Wilcox, Masters: Beadweaving, Lark Books, 2008, pp 104-111.
    • Cannarella, Deborah. Beading for the Soul, Interweave Press, 2005, pp. 96-99, 146.
    • Wilcox Wells, Carol. 500 Beaded Objects, Lark Books, 2004, pp. 17, 34-35
    • Felix, Marc. Kongo Kingdom Art from Ritual to Cutting Edge, 2003, p. 327
    • Lewis, Samella. African American Art and Artists, University of California Press, 2003, p. 310-313
    • Harris, Juliette and Pamela Johnson, ed. Tenderheaded: A Collection of Hair Stories, Pocketbooks, 2001, p. 159
    • Visona, Monica Blackmun, et al. A History of Art in Africa, Abrams, 2000, p. 523
    • Orban, Nancy, ed. Fiberarts Design Book Six, Lark Books, 1999, p. 20
    • Powell, Richard. “Hampton University Museum”, To Conserve a Legacy, MIT Press, 1999, pp. 22-23
    • Campbell, Mavis. “Biographical Sketches”, Black Women of Amherst College, Amherst College Press, 1999, pp. 196-202
    • Nouvel Objet, Seoul, Korea: DesignHouse Publications, 1997, pp. 44-47

Journals and Newspapers

    • Jamieson, Katherine. “Cultural Roots”, Amherst, Fall 2010, pp. 44
    • DeSmith, Christy. “Data Processing”, American Craft, Vol. 70, No.6 Dec/Jan 2011, pp. 24
    • Malarcher, Patricia. “In Review: Dress Codes”.  Surface. Spring 2010, Vol. 34, No. 3, pp. 62-63.
    • “Black Celebration”, Estetica Italia, November 2009, Volume 9, pp. 42 – 43
    • Genocchio, Benjamin, “All Dressed Up at the Katonah Museum of Art”, New York Times, August 21, 2009
    • Gouveia, Georgette, “Clothes make the exhibit”, Lower Hudson Journal News, July 19, 2009
    • Sims, Lowery Stokes, “The Currency of Craft: Sonya Clark”, Fiberarts, September/October 2009, Vol. 36, No. 2, pp. 40-43
    • “Upcycling/ Signs of new life at Architecture and Design Museum”, Los Angeles Times, Arts section, May 17, 2009
    • Dowdle, Morrow, “The Halsey Institute explores the question of hair”, Charleston City Paper, May 20, 2009
    • “Crowning Glory in Hair and Art”, The Post and Courier, Wednesday, May 27, 2009
    • http://www.marieclaire.it/magazine/controcorrente/second-lives
    • Cotter, Holland, “From the Deep, a Diva With Many Faces”, New York Times, April 3, 2009, p. C23
    • Kettlewell, Caroline, “Urban Palette”, Virginia Living, April 2009, p. 109.
    • Yuhas, Daisy, “Sonya Clark at the List Gallery”, The Daily Gazette, March 15, 2009
    • Donohue, Victoria, “Better Combs and Gardens”, Philadelphia Inquirer, March 20, 2009
    • Ha, Christina, “Sunday Arts News Essentials”, Inside Thirteen PBS NYC, October 16, 2008
    • “Spotlight: Museums Update:, American Style, February 2009
    • Russian Travel Magazine, November 24, 2008, p. 72
    • Klimkiewicz, Joann, “ MAD’s New Digs”, The Hartford Courant, September 28, 2008
    • Caplan, Ralph, “Recrafting the Ordinairy”, AIGA: Voice, October 14, 2008
    • Saltz, Jerry, “Art Date”, Artnet Magazine, September 18, 2008
    • Holleran, Samuel, “A Second Life for MAD”, NY Art Beat, September 29, 2008
    • “Arts and Crafts”, Travel and Leisure Magazine, December 2008, p. 80
    • DiNoto, Andrea, “Reviewed: Second Lives”, American Craft Magazine, Vol. 68, No.6 Dec/Jan 2009, p. 42
    • Austin, April, “Co-opting consumerism ‘Manufractured’ exhibition takes mass-produced objects and tames them into art”, The Christian Science Monitor, September 19, 2008 edition
    • Andresen, Kristin, “Community Centered”, Bangor Daily News, Tuesday, December 4, 2007, p. C5
    • “Current and Coming”, Fiberarts, Sept/Oct 2008, p 68
    • Pomeroy, Courtney, “Art that lets your hair down”, Baltimore Sun, June 28, 2008
    • Yasiejko, C., “A Well-Groomed Exhibit and More at DCCA”, The News Journal (Wilmington, Delaware), Arts section F2
    • Thorp, Charlotte, “In Review: Pricked”, Surface Design Journal, Vol. 32, No.4, Summer 2008, p. 39
    • Beckman, Rachel, “In ‘Loose Strands,’ The Ties That Bind Museum Lets Its Hair Down With New Show” Washington Post
    • McLeod, Deborah. “Witting Hairs: Sonya Clark”, City Paper Baltimore, July 30, 2008
    • Moreno, Shonquis, “Making of the New MADhouse”, American Craft Magazine,Vol. 68, No.4 Aug/Sept 2008, p. 37
    • DiNoto, Andrea, “Reviewed: Pricked”, American Craft Magazine, Vol. 68, No.1 Feb/Mar 2008, pp 88-89
    • Koeppel, Frederic. “Amusement within their grasp,” Commercial Appeal, 2008
    • Nouvelles broderies a New York, Le Monde, November 20 2007, p 29
    • Vagner, Kris. “Belt loops and hooks” Reno News Review, September , 19, 2007
    • Architectural Digest (French edition), February/March issue, No.72
    • “Internationally acclaimed artist opens solo show at JMKAC” Beacon, Tuesday, October 31, 2006. pp1 and 17
    • Andrews, Laura. “ African Bead Project at Queens Library”, Caribbean Life, May 9, 2007, p. 46
    • O’Sullivan, Michael. “Richmond Artists Rooted in Histories”, The Washington Post, Friday, December 1, 2006, WE p 50
    • Nilsen, Richard. Review: “ Gallery has a lock on impact of hair”, The Arizona Republic, Sunday, July 30, 2006 , pE4
    • Becker, Cynthia. “Review: Beaded Prayers” African Arts, Summer 2006, Vol 39. No. 2, p9.76-78
    • Rockwell, Steve, “ A Stir in Richmond, Virginia”, d’Art International, Spring/Summer 2006, p. 20
    • Hickman, Pat. “Awarding Talent”, American Craft, Vol. 65, No. 2 April/May 2005 p. 48
    • Halper, Vicki. “Trinket to Talisman”, Metalsmith, Volume 24, No. 5, p. 37
    • Guiliano, Mike. “ Taking a bead on the spirit of art”, Towson Times, January 21, 2004. p. 28
    • “Scholars in the Village”, UMOJA: African American News for Madison, Vol. 14, No. 1, January 2004, p. 17, 48
    • Hicks, Victoria Loe. “The Power of Many Prayers, All in One Art Project”, Philadelphia Inquirer, Sunday, Oct. 12, 2003
    • Hicks, Victoria Loe. “Professor Seeks Secret Prayers for Touring Show”, Dallas Morning News, September 19, 2003
    • Arney, Steve. “Designers Draw a Bead” Pantagraph, Sunday , September 14, 2003, pp. G1-2
    • Hinchliffe, Meredith. “Moulding the metaphor”, Canberra Times (Australia), Tuesday, July 22,2003
    • Malarcher, Patricia. “Beaded Prayers Project”. Surface. Spring 2003, Vol. 27, No. 3, pp.30-35
    • Roberston, Jean. “Indianapolis: Sonya Y.S. Clark”. Sculpture. December 2002 Vol. 21, No.10, pp. 71-72
    • Berry, S. L. “Topped By Art”, The Indianapolis Star, Sunday, April 14, 2002. pp 1I-2I
    • Carr-Elsing, Debra. “A Fine Touch for Art”, The Capital Times, Sunday , February 28, 2002. 1F-5F
    • McNatt, Glenn. “A Good Feeling”, The Baltimore Sun, Wednesday, November 13, 2001, p. 1E
    • Theim, Kelly. “Alumni Art on Deck at Mead”, The Amherst Student, October 3, 2001, p. 9
    • Holland, Bonnie Lee. “In Review: Crosscurrents 2000”, Surface Design Journal. Fall 2001, pp. 54-55
    • Price, Anne. “Shoebox’s Limits Inspire Creativity”, Sunday Magazine (Baton Rouge, Louisiana) August 5, 2001
    • Moyer, Twylene. “Handle with Care: Loose Threads in Fiber”, Sculpture, June 2001 Vol. 20, No. 5, pp. 69-70
    • Goldberg, Barbara. “Lillian Elliott Award”, Textile Society of America Newsletter, Winter 2001, Vol. 13, No. 1, p. 7
    • Roth, Gil. “Beaded Prayers Project: Beneath a Collective Quilt”, Madison Times, October 12-18, 2001, p. 12
    • Shapiro, Stephanie. “Art Emerges From Tragedy, As It Should”, The Baltimore Sun, Monday, September 17, 2001, p. 1E
    • Pulliam, Deborah. “Beaded Blessings”, Beadwork, August/September 2001, pp. 16-17
    • Tyehimba, Afefe. “Critic’s Choice: Beaded Prayers”, City Paper (Baltimore, Maryland), August 8-15, 2001, Vol. 25, No. 33
    • Swanson, Sue. “Beaded Blessings”, Re-Imagining, May 2001, Issue 27, p. 5
    • Dahlke, Kate. “Cross-Cultural Project is Woven of Hopes and Dreams”, Monday, March 12, 2001, p. A8
    • “Celebrating Black History in the Village”, Umoja, March 2001, p. 42
    • “Hats Off”, Umoja, February 2001, pp. 11 and 41
    • Henry, Amanda. “A Stitch in Time”, Wisconsin State Journal, Saturday, November 18, 2000, p. B1
    • Gates, Pamela. “Beading Beyond Belief”, The Madison Times, May 5-11, 2000, Vol. 9, No.19, p. 17
    • Daily Citizen (Beaver Dam, Wisconsin), Wednesday, March 29, 2000, p. 16
    • Veit, Lori. ” Wisconsin Arts Board Fellowship Award-Winners Exhibit” Fitchburg Star, October 19, 2000, pp. 12-13
    • “Artists in Craft Center Exhibition Focus on Women’s Issues”, Weekend, August 25-31, 2000
    • Bowles, K. Johnson. “The Hum of Life in Silence”, Fiberarts, September/October 2000, Vol. 27, No. 2, p. 59
    • Ullrich, Polly. “Fashions from the Avant-Garb”, Fiberarts, Summer 2000, Vol. 27, No. 1, p. 55
    • Wass, Betty. “Dots and Dashes, Beads and Beauty”, Textile Society of America Newsletter, Vol. 12, No. 1, pp. 9-10
    • “Previews”, The Detroit News, May 27, 2000
    • Latter, Ruth. “Hats off to Impressive Soft Sculptures”, The Daily Progress (Charlottesville, Virginia), May 4, 2000, p. D1-2
    • “Smart Bets”, Mountain Xpress (Western North Carolina), May 31 – June 6, 2000, Vol. 6, No. 42, p. 30
    • Clowes, Jody. “Sonya Clark”, Surface Design Journal, Winter 2000, pp. 35-37
    • Harrison, Helen. “Using Beads as Painters and Sculptors Would”, The New York Times, Sunday, December 19, 1999, p. 20
    • Klich, Joseph. “Artist Draws on Culture in Crafts”, The Badger Herald, October 27, 1999, Vol. 31, Issue 39, pp. 1 and 5
    • McNatt, Glenn. “Art Challenges Stereotypes”, The Baltimore Sun, Tuesday, October 26, 1999, p. 2E
    • Korman, Nina. “Night and Day”, Miami New Times, July 1-7, 1999, Vol. 14, No. 12, pp. 38-39
    • Miller, Brooke. “Artist’s Headdresses Draw Upon African Heritage and Pride”, The Madison Times, March 5-11, 1999, p.13
    • Gordon, Beverly. “Profile: Sonya Clark”, Fiberarts, Vol. 25, No. 4. Jan/Feb, 1999, p. 23
    • Kirsch, Elisabeth. “Artists Winning the Glass Bead Game”, Kansas City Star, Friday, December 25, 1998, Preview/Art
    • Harris, Bill. “Lid Language”, Metro Times, November 1998
    • Francis, Jacqueline. “Art About Hair” International Review of African American Art, Vol.15, No.2, Fall 1998, pp. 37-38
    • Schoenkopf, Rebecca. “Pure Mesmerization”, OC Weekly, August 14-20, 1998, p. 47
    • Wilson, Scott. “Parted, Plaited and Piled: Sonya Clark”, FORUM: The Visual Arts Journal, Vol. 23, No. 2, pp. 3-4
    • Thorson, Alice. “Surface Pleasures”, The Kansas City Star, Friday, March 27, 1998, Art Section, p. 24
    • “Kansas City and Lawrence, A Survey of Exhibitions”, Surface Design Journal, Vol. 22, No. 2, Winter 1998, pp. 46-47
    • “Village Stars”, UMOJA: African American News for Madison, Vol. 9, No. 1, January 1998, p. 14
    • Broughton, Alice. “New Directions in Fiber”, Reviews and News
    • Muney Moore, Julie. “Crosscurrents: Journeys Within the African Diaspora”, Dialogue, September/October 1997, p. 41
    • Thorson, Alice. “Patterns, Prints, Fabrications”, The Kansas City Star, Friday, May 30, 1997, Preview, p. 23
    • Gaskins, Bill. “Review: Sonya Clark at the Anderson Gallery”, New Art Examiner, Vol. 24, No. 6, March 1997, p. 46
    • Irish, Peg. “Exhibition: Cape Capes”, Ornament, Vol. 20, No. 2, Winter 1996, p. 21
    • Colby, Joy Hakanson. “Art Review: Sonya Clark Sculptural Headdresses”, The Detroit News, November 14, 1996, p. 7H
    • Scarborough, Jessica. “Survey of Exhibitions”, Surface Design Journal, Vol. 20, No. 2, pp. 27-29
    • Colby, Joy Hakanson. “High Fiber”, The Detroit News, Saturday, March 2, 1996, pp. 16-18D
    • Mensing, Margo. “Student Symposium at Cranbrook”, Fiberarts, Vol. 21, No. 2, September/October 1994. p. 12

Public Collections | View

    • Cranbrook Art Museum, Bloomfield Hills, Michigan
    • Hampton Museum, Hampton, Virginia
    • Helen Louise Allen Textile Collection, Madison, Wisconsin
    • Indianapolis Museum of Art, Indianapolis, Indiana
    • Madison Museum of Contemporary Art, Madison, Wisconsin
    • Mead Art Museum, Amherst, Massachusetts
    • Montreal Museum of Decorative Arts, Montreal, Quebec, Canada
    • Musees d’Angers, Angers, France
    • Sprint Collection, Overland Park, Kansas
    • University of Iowa Museum of Art, Iowa City, Iowa

Curatorial Projects | View

    2008 |

    • Familiar Faces, Anderson Gallery, Virginia Commonwealth University, Richmond, VirginiaDevorah Sperber, Kim Kamens, Xiang Yang, Lia Cook, Na-Jung Kim

    2007 |

    • Hush Lush, Piedmont Center for the Arts, Martinsville, VirginiaJack Wax, Debbie Quick, Susie Ganch, Xenobia Bailey, Susie Brandt, Bean FinneranXenobia Bailey, Natasha St. Michael, Michal Zehavi, Nancy Koenigsberg , Kyoung Ae Cho

      Rachel Hayes, Piper Shepard

    2004 |

    • Repeat, Repeat, Design Gallery, University of Wisconsin, Co-curator: Jennifer Angus)Jerry Bleem, Susie Brandt, Kyoung Ae , Cho and Piper Shepard

    2000 |

    • Joyful Blues: Pattern in Yoruba Adire Cloth (Photography curator), Gallery of Design, School of Human Ecology

Memberships and Committees | View

    • Advisory Board, Textile Museum, Washington, DC (2010 – 2013)
    • Advisory Board, VMFA, Friends of African and African American Art (2010 – 2013)
    • North Carolina Arts Council, Juror FY 2010 Artist Fellowship Program (2010)
    • Ohio Art Council, Juror FY 2005 Artist Fellowship Program (2004)
    • Illinois Arts Council, Juror FY 2001 Artists Fellowship Program (2000)
    • Dane County Cultural Affairs Commission- Arts Grant Advisory Panel (2000)
    • Wisconsin Arts Board Percent for Art Selection Committee (1998 – 2000)
    • Board Member, Madison Museum of Contemporary Art (2000 – 2003)
    • Board Member, Haystack Mountain School of Crafts (2000 – 2009)

“Clark sculpts shapes and winds thread into hair power, a thrilling metaphor.”

—Scott Wilson
The Visual Arts Journal